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Research Publications by DARC Members

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Cox, Geoff. "Paradoxical Values of Running Code / Paradoksalne wartosci kodu." Pioneering Values: 15th Media Art Biennale WRO 2013, edited by Piotr Krajewski and Violetta Kutlubasis-Krajewska, Wroclaw: WRO Foundation for Media Art, 2014, 41-46, 108-113
Agostinho, Daniela, Elisa Antz and Cátia Ferreira, editors. Panic and Mourning: The Cultural Work of Trauma, Walter de Gruyter, 2012
Pold, Søren. "Panel 14: The Digital Aesthetics of Climate Crisis." ISEA2010 Ruhr: Conference Proceedings, edited by Judith Funke, Stefan Riekeles, Andreas Broeckmann and Hartware MedienKunstVerein, Revolver Publishing, 2010, 155-157
Edmonds, Ernest et al. "Panel: Individual and/versus social creativity." -, 1999, 36-41
Edmonds, Ernest et al. "Panel: Individual and/versus social creativity." Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999Association for Computing Machinery, 1999, 36-41
Løppenthin, Lea Marie et al., Pandemipoesimaskine, Interactive production, 2022, https://www.roskildebib.dk/artikler/litteratur/pandemipoesimaskine
Cox, Geoff. Over-identifying with Really Existing Social Media, Making Reality Really Real / Consciousness Reframed, 04 Nov 2010, Trondheim, Norway, Paper, 2010, 4 p.
Højlund, Marie Koldkjær. Overhearing: an attuning approach to noise in Danish hospitals, School of Communication and Culture, Ꜳrhus University, 2017
Philipsen, Lotte. "Out in reality...." Socle du monde biennial 2010: Between CulturesOnline: Heart, Herning museum of contemporary art, 2011, 4-7
Riis, Morten S. Operative Magnetics: A trans-archaeological excavation , Trans-what?, 28 Jul 2013, Berlin, Germany, Paper, 2014, 5 p.
Parikka, Jussi. Operational Images: from the Visual to the Invisual, Minneapolis: University of Minnesota Press, 2023
Parikka, Jussi. "On Zoē and Spider Life: Studio Tomás Saraceno’s Working Objects in the Critical Posthumanities." Life in the Posthuman Condition: Critical Responses to the Anthropocene, edited by Stephen Wilmer and Audronė Žukauskaitė, Chapter 8, Edinburgh: Edinburgh University Press, 2023, 149-172 https://doi.org/10.1515/9781399505291-012
Erslev, Malthe Stavning. "Om Poesimaskinen." Skraldekunst: poesimaskinepoesiAarhus: Aarhus Universitet, 2019.
Cox, Geoff and Joasia Krysa. "Occupying Public Networks." Art Line, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, Karlskrona: Blekinge County Museum, 2014, 182-184
Andersen, Christian Ulrik and Søren Bro Pold. "Occupation of the 'open city'." Proceedings of the 4th Media Architecture Biennale: Participation, MAB 20122012, 1-4 https://doi.org/10.1145/2421076.2421077
Philipsen, Lotte. "Nyt maleri i Kina." Kinamani, edited by Christian Gether, Stine Høholt, Maria Kappel Blegvad and Huiping Zhu, Ishøj: Arken Museum for Moderne Kunst, 2009, 9-17
Pold, Søren Bro. "Nyt kunstmarked eller spekulation." Billedkunstneren, 2022, 2022(3), 23-25
Andersen, Christian Ulrik, Geoff Cox, and Jacob Lund, editors. Nyhedsavisen: Public Interfaces, 1 ed., Aarhus: Center for Digital Æstetik-forskning., 2011
Pold, Søren et al. "Novel Media: on Typographical Consciousness and Marginal Realism in Balzac and Baker." Reinventions of the NovelAmsterdam & New York: Brill | Rodopi, 2004, 137-153
Philipsen, Lotte. Not just images – prefix presumptions of images generated by AI, Conference on ethics and aesthetics of artificial images, 08 May 2025, Venedig, Italy, Conference abstract for conference, 2025
Cox, Geoff and Alex McLean. "Not Just for Fun." Fun and Software: Exploring Pleasure, Pain and Paradox in Computing, edited by Olga Goriunova, Chapter 7, Bloomsbury Academic, 2014, 157-173
Hansen, Lone Koefoed and Peter Dalsgaard. "Note to Self: Stop Calling Interfaces “Natural”." Critical alternatives: Proceedings of The Fifth Decennial Aarhus Conference 17- 21 August 2015, Aarhus, Denmark, edited by Shaowen Bardzell, Susanne Bødker, Ole Sejer Iversen, Clemens N. Klokmose and Henrik Korsgaard, Aarhus: Department of Computer Science, Aarhus University, 2015, 65-68
Cox, Geoff. "Notes on 120 days of *buntu." 120 days of *buntu, edited by Danja Vasiliev and Gordan Savicic, Beaver Press, 2011, 10-11
Philipsen, Lotte. "Nordic Jaywalking in Contemporary Visual Art." Globalizing Art: Negotiating Place, Identity and Nation in Contemporary Nordic Art, edited by Bodil Marie Stavning Thomsen and Kristin Ørjasæter, Aarhus Universitetsforlag, 2011, 107-124
Jensen, T.W. and Lone Koefoed Hansen. "Next Stop in the Study Metro:  Supporting Learning of Freewriting by Providing Interactive Feedback." Proceedings of World Conference on Educational Multimedia, Hypermedia and Telecommunications 2003Issue 1 ed., AACE, 2003, 1291-1296
Philipsen, Lotte. "New Painting in China." Chinamania, edited by Christian Gether, Stine Høholt, Maria Kappel Blegvad and Huiping Zhu, Ishøj: Arken Museum for Moderne Kunst, 2009, 9-17
Erslev, Malthe Stavning. New Media Idiocy, Electronic Literature Organization, 2021
Andersen, Christian Ulrik. Networking Vampires – Life in a social network seen through a game, Association of Internet Researcher 9.0: Rethinking Communities, Rethinking Place, 16 Oct 2008, København, Denmark, Paper, 2008
Pold, Søren. "Nettets tekst: Introduktion til Christophe Bruno." Passepartout, 2007, 14. årg.(27), 126-130
Pold, Søren. "Netkunst: Nettets kunstneriske udviklingsafdeling." Enter Action: Digital Art NowAarhus: ARoS Publishing, 2009, 124-127
Philipsen, Lotte. ‘Natural image processing’: Aesthetic ideologies of text-to-image AI, Aesthetics of Digital Image Syntheses, 07 Nov 2024, Klagenfurt, Austria, Conference abstract for conference, 2024
Breinbjerg, Morten. Musikkens Interfaces, Center for Digital Æstetik-forskning., 2006., 43 p.
Breinbjerg, Morten. "Musikkens Interface." Interface: Digital kunst & kulturAarhus: Aarhus Universitetsforlag, 2007, 137-170
Rasmussen, Pia, Marie Koldkjær Højlund and Nielsen Lasse. Musikalsk Produktion, Aarhus: Systime, 2013
Pold, Søren. "Museets interface: Digital-æstetiske betragtninger i forlængelse af Kongedragter.dk og Stigombord.dk." Digital kulturformidling: Børn og forskere har ordet, edited by Charlotte Hansen and Jakob Hansen, København: Kulturarvsstyrelsen, 2007, 18-29