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Research Publications by DARC Members

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Cox, Geoff. "Wirtualne samobójstwo jako definitywny akt polityczny." Mindware: Technologie dialogu, edited by Piotr Celiński, Chapter 145, Lublin: Lublin College of Enterprise and Administration, 2012, 133
Cox, Geoff. Speaking Code: Coding as Aesthetic and Political Expression, Cambridge, MA.: MIT Press, 2013, Software Studies
Cox, Geoff and Tatiana Bazzichelli. Disrupting Business: art and activism in times of financial crisis, 1 ed., New York: Autonomedia, 2013, DATA Browser; Journal number 5, Vol. 1
Cox, Geoff, Stuart Brisley and Maya Balcioglu. 01.01.CM: Collection of Museum of Ordure, Aarhus: Antipyrine, 2014
Cox, Geoff. "Trans-what? introduction." Trans-what?: across and beyond (artistic) researchBerlin: Transart Institute, 2014.
Cox, Geoff and Joasia Krysa. "Occupying Public Networks." Art Line, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, Karlskrona: Blekinge County Museum, 2014, 182-184
Cox, Geoff and Alex McLean. "Not Just for Fun." Fun and Software: Exploring Pleasure, Pain and Paradox in Computing, edited by Olga Goriunova, Chapter 7, Bloomsbury Academic, 2014, 157-173
Cox, Geoff. "Code for-itself." Torque #1: Mind, Language, Technology, edited by Nathan Jones and Sam Skinner, Brescia: Link Editions, 2014, 130-140
Cox, Geoff. "Postscript on the post-digital and the problem of temporality." Postdigital Aesthetics: Art, Computation and Design, edited by David M. Berry and Michael Dieter, Chapter 12, Basingstoke: Palgrave Macmillan, 2015, 151-162
Cox, Geoff. "Generator: the value of software art." Systems, edited by Edward A. Shanken, Cambridge, MA: MIT Press, Whitechapel: Documents of Contemporary Art, 2015, 186-189
Cox, Geoff. "Cultural-Epistemological Aspects of Live Coding." Collaboration and learning through live coding, edited by Alan Blackwell, Alex McLean, James Nobel and Julian Rohrhuber, 2014.
Cox, Geoff. "Paradoxical Values of Running Code / Paradoksalne wartosci kodu." Pioneering Values: 15th Media Art Biennale WRO 2013, edited by Piotr Krajewski and Violetta Kutlubasis-Krajewska, Wroclaw: WRO Foundation for Media Art, 2014, 41-46, 108-113
Cox, Geoff. Real-time for Pirate Cinema, Ljubljana: Aksioma, 2015, Postscriptum, Vol. 20
Cox, Geoff. "What Does Live Coding Know?." Proceedings of the First International Conference on Live Coding, edited by Alex McLean, Thor Magnusson, Kia Ng, Shelly Knotts and Joanne Armitage, Leeds: University of Leeds, 2015.
Cox, Geoff, Nicolas Malevé and Michael Murtaugh. "Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi." Writing and UnWriting Media (Art) History: Erkki Kurenniemi in 2048, edited by Joasia Krysa and Jussi Parikka, Chapter 9, Cambridge, Mass.: MIT Press, Leonardo Book Series, 2015, 125-142
Cox, Geoff and Jacob Lund. The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art, Berlin: Sternberg Press, 2016, The Contemporary Condition; Journal number 1
Cox, Geoff. "RuntimeException( ): Critique of Software Violence." Executing Practices, edited by Helen Pritchard, Eric Snodgrass and Magda Tyzlik-Carver, New York: Autonomedia, DATA Browser; Journal number 06, 2017, 51-62
Cox, Geoff and Morten S. Riis. "(Micro) Politics of Algorithmic Music: Towards a Tactical Media Archaeology." The Oxford Handbook of Algorithmic Music, edited by Alex McLean and Roger Dean, Chapter 33, Oxford: Oxford University Press, 2018, 603-626 https://doi.org/10.1093/oxfordhb/9780190226992.001.0001, https://doi.org/10.1093/oxfordhb/9780190226992.013.22
Cox, Geoff. "Ways of Machine Seeing: An Introduction." A Peer-Reviewed Journal About, 2017, 6(1), 1-9
Cox, Geoff. "RuntimeException(): — Critique of Software Violence." Executing Practices, edited by Magdalena Tyzlik-Carver, Helen Pritchard and Eric Snodgrass, London: Open Humanities Press, DATA Browser; Journal number 1, Vol. 6, 2017, 55-68
Cox, Geoff, Ryan Nolan and Andrew Prior. "The Crackle of Contemporaneity." Futures of the contemporary: contemporaneity, untimeliness, and artistic research, edited by Paulo de Assis and Michael Schwab, Ghent: Leuven University Press, Orpheus Institute Series, 2019, 97-114
Cox, Geoff and Joasia Krysa. "System Error: Economies of cultural production in the network society." New Practices-New Pedagogies: A ReaderRoutledge Taylor & Francis Group, 2005, 13-21 https://doi.org/10.4324/9780203020807
Cox, Geoff. "Generator: The Dialectics of Orderly Disorder." Proceedings of the Fourth Creativity and Cognition Conference, edited by T.T. Hewett, T. Kavanagh, T.T. Hewett and T. Kavanagh, 2002, 45-49
Cox, Geoff et al. Artistic Research Will Eat Itself: Proceedings of International Conference, Research Catalogue - Society for Artsistic Research, 2018
Cox, Geoff and Jacob Lund. "Time.now." Uncertain Archives: Critical Keywords for Big Data, edited by Nanna Bonde Thylstrup, Daniela Agostinho, Annie Ring, Catherine D'Ignazio and Kristin Veel, Chapter 55, Cambridge, MA: MIT Press, 2021, 523-531
Breinbjerg, Morten, Lars Kiel Bertelsen, and Søren Pold, editors. "Lydens æstetik - kroppens musik." D-Day på Kasernen - 7 foredrag fra konferencen Æstetik og Digitalisering: Tradition eller Revolution?Århus, 2001, 35-43
Breinbjerg, Morten. Emergens: om tilsynekomstens æstetik, 5 ed., Center for Digital Æstetik-forskning., 2005., 21 p.
Breinbjerg, Morten. "At lytte til verden: mellem hermeneutik og erotik." Autograf - tidsskrift for ny musik, 2003., 12(4)
Breinbjerg, Morten, Ole Caprani, and Rasmus Lunding. "An Acousmatic Composition Environment: (Poster)." 6 th international conference on New Interfaces for Musical Expression2006, 334-337
Breinbjerg, Morten, Ole Caprani, and Rasmus Lunding. "Touch the Sound." International Workshop of Interaction Design and Children2002.
Breinbjerg, Morten. Musikkens Interfaces, Center for Digital Æstetik-forskning., 2006., 43 p.
Breinbjerg, Morten, Ole Caprani, and Rasmus Lunding. "An Acousmatic Music Environment." ICMC 06 - International Computer Music ConferenceInternational Computer Music Association, 2006, 580-584
Breinbjerg, Morten. "Musikkens Interface." Interface: Digital kunst & kulturAarhus: Aarhus Universitetsforlag, 2007, 137-170
Breinbjerg, Morten. Sound in digital Media: Symbol or phenomenon?, 10 ed., 31-37, Aarhus, Danmark: Center for Internetforskning, Aarhus Universitet, 2007, 8 p.
Breinbjerg, Morten. "System Event Sounds." Software Studies\ a lexicon, edited by Fuller Matthew, Cambridge,Massachusetts, London, England: MIT Press, 2008, 243-250
Breinbjerg, Morten. "Poesis of human-computer interaction: Music, materiality and live coding.." Interface Criticism : Aesthetics beyond ButtonsÅrhus: Aarhus Universitetsforlag, Acta Jutlandica, Vol. 2011/1 Humanities Series 1, Vol. 2011/1, 2011.
Breinbjerg, Morten. "Poesis och livekodning." OEI, 2009, (43-45), 271-278